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9 @0 n/ r# V& e1 V+ ~◎片 名 The Love WeMake
! `8 X5 z$ @" d4 I◎译 名 我们的爱
% T8 @5 |6 } ]◎出品公司 Maysles Films
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◎年 代 2011年
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◎上映日期 2011年9月10日 美国
1 w! k/ R3 y2 ]1 U- ?3 U◎影片级别 Japan:G
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◎IMDB链接 http://www.imdb.com/title/tt2006276/+ Q: ^* b, q6 H# p. K3 a
◎IMDB评分 7/10 (50 votes) : y9 g: r$ C" l
◎国 家 美国
3 T4 r8 X! O3 ~) f x◎类 别 纪录/音乐
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◎文件格式 X264 + DTS
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◎文件大小 6.555G
( M0 ^. V5 e) A8 V g◎视频尺寸 1440x1080
1 |$ k8 o. Y$ V◎片 长 1h 33min
$ t' h/ U! t9 u◎语 言 英语
, e6 }! Y+ x H ^◎字 幕 N/A
$ j' G9 c: [8 p% B◎导 演 Bradley Kaplan
- x L7 ]; B' @2 F: i7 b0 p3 Q Albert Maysles
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◎主 演 Rusty Anderson... Himself
& X4 e% U! g X Jon Bon Jovi ... Himself
$ k' T& E) `; V- j David Bowie ... Himself
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Jim Carrey ... Himself
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Eric Clapton ... Himself
5 J% S3 _" g$ R U/ ^ Bill Clinton ...Himself
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Sheryl Crow ... Herself
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BillyCrystal ... Himself
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Leonardo DiCaprio ... Himself
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Harrison Ford ... Himself
* r: R3 E, o& ~5 B0 J6 v ~ Mick Jagger ...Himself
1 X. @1 k) e/ U+ P, U Jay-Z ... Himself
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Billy Joel ...Himself
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Elton John ... Himself
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AbrahamLaboriel Jr. ... Himself
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$ w5 V* Y3 q" R◎简 介
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在2001年九月11早晨, 正当保罗·麦卡特尼(PaulMcCartney)的飞机在纽约市中心的机场跑道上缓缓滑行时,他从新闻上得到了一个惊人的消息 :九一一恐怖袭击.当时自己也不知所措,但心中缓缓浮现出一个问题,并不断的问自己,"我能帮上什麼忙?"经过思考,保罗·麦卡特尼最后决定用音乐来呈献他对纽约市民的关心,经过计画后,他邀请了多名歌手在纽约市中心办了一场演唱会来安抚纽约市民心中的创伤. 此纪录片用了一台16mm的黑白录影机,记录了当时保罗·麦卡特尼準备演唱会的完整过程和一些911事件的纪录.
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On the morning of September 11, 2001, Paul McCartney was in New York City on anairport runway waiting to fly to Britain. As he absorbed the news of theunfolding tragedy, he wondered, “What can I do?” The answer, of course, lay inmusic.
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McCartney reached out to master documentarian and long-time friendAlbert Maysles, inviting Maysles to document his personal experiences on 16mmblack and white film, a format seldom used in the digital age but of provenendurance and artistic quality. Over several weeks in October 2001, Maysles’camera followed McCartney as he prepared for The Concert for New York City, abenefit he helped organize to uplift New York City during this period ofuncertainty and vulnerability. The footage went unseen for years, requiring thepassage of time to be put in perspective. Now, ten years later, Maysles, hisdirecting partner Bradley Kaplan and editor Ian Markiewicz have emerged with anintimate work that explores the role of art and artists in a time of crisis.
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